April 2023 – Present
SVA Galleries, New York – Gallery Assistant
Supporting curation and installation of exhibitions at the School of Visual Arts, documenting work, and maintaining the gallery’s online presence.
Enquire
Working between mythology, femininity, and intimate resistance.
My practice combines layered figurative painting with archival research to reimagine devotional, erotic, and mythological imagery from South Asia — restoring agency where colonial frameworks once rewrote meaning.
My work is rooted in reinterpreting historic erotic and devotional Indian imagery—particularly those surrounding the Kama Sutra and miniature painting traditions—after centuries of colonial distortion, censorship, and hyper-sexualisation. Through painting, I attempt to reclaim nuance, agency, and cultural depth where misinterpretation once overwrote meaning.
“Eroticism, for me, is not spectacle—it's language, memory, and an archive of the body.”
The figures in my paintings—most often imagined Himalayan and Indian women—occupy spaces that do not obey linear time. Empires, rituals, domestic interiors, ruins, and dream-architecture merge into surreal environments where the body becomes both witness and weapon. These women nurture, refuse, desire, confront, and reclaim.
My practice exists where mythology meets the contemporary. I am drawn to the tension between the seen and the unspoken—where ornament becomes code, posture becomes narration, and intimacy becomes an act of rebellion, memory, and sacred inheritance.
My process is cyclical: sketches evolve into layered paintings built through addition, abrasion, and erasure. Surfaces carry the memory of every decision—the visible underdrawing, sanded edges, and soft ornamentation function like archaeological layers.
I draw influences from Rajasthani miniature painting, Tantra diagrammatic geometry, Tibetan iconography, and the work of artists including Raja Ravi Varma, Neo Rauch, Peter Saul, Shahzia Sikander, and Tenzing Rigdol. These references inform a visual language where devotion, gender, and resistance form intertwined symbolic architectures.
A growing body of recognition across national and international platforms:
A growing practice rooted in painting, curation, and collaborative work in galleries, monasteries, and student-led initiatives.
April 2023 – Present
Supporting curation and installation of exhibitions at the School of Visual Arts, documenting work, and maintaining the gallery’s online presence.
EnquireJune – August 2024
Assisted with organising exhibitions, arranging displays, and cataloguing artworks and curatorial material at a contemporary gallery in Tokyo.
EnquireJune 2025
Studied under Master Phinso, deepening engagement with Tibetan visual traditions, ritual, and painting techniques within a monastic context.
Enquire“Her paintings feel like living myths – intimate, precise, and quietly radical in how they hold women’s interior worlds.”
In 2021 I founded Art Katha, a student-led visual arts initiative that offers free art education to students from economically underserved backgrounds, alongside visual campaigns on social and environmental issues.
I continue to mentor the programme remotely while studying in New York, teaching drawing, colour theory, and visual storytelling.
Invite a workshopA selection from recent bodies of work – exploring empire, eroticism, faith, and everyday gestures in layered figurative paintings.
For exhibitions, commissions, collaborations, or workshops, you can reach me directly here.
Based between New York and Gurugram, India.
Available for in-person and online projects.
Email: vincent.adelle@gmail.com
Instagram: @art_kathaa