Contemporary Figurative Painter

Adelle Dechen Vincent


Working between mythology, femininity, and intimate resistance.

My practice combines layered figurative painting with archival research to reimagine devotional, erotic, and mythological imagery from South Asia — restoring agency where colonial frameworks once rewrote meaning.

5+ Years of practice
20+ Works in series
4 Awards earned
Featured artwork by Adelle

The Energy Behind Every Stroke

My work is rooted in reinterpreting historic erotic and devotional Indian imagery—particularly those surrounding the Kama Sutra and miniature painting traditions—after centuries of colonial distortion, censorship, and hyper-sexualisation. Through painting, I attempt to reclaim nuance, agency, and cultural depth where misinterpretation once overwrote meaning.

“Eroticism, for me, is not spectacle—it's language, memory, and an archive of the body.”

The figures in my paintings—most often imagined Himalayan and Indian women—occupy spaces that do not obey linear time. Empires, rituals, domestic interiors, ruins, and dream-architecture merge into surreal environments where the body becomes both witness and weapon. These women nurture, refuse, desire, confront, and reclaim.

My practice exists where mythology meets the contemporary. I am drawn to the tension between the seen and the unspoken—where ornament becomes code, posture becomes narration, and intimacy becomes an act of rebellion, memory, and sacred inheritance.

Process & Visual Lineage

My process is cyclical: sketches evolve into layered paintings built through addition, abrasion, and erasure. Surfaces carry the memory of every decision—the visible underdrawing, sanded edges, and soft ornamentation function like archaeological layers.

I draw influences from Rajasthani miniature painting, Tantra diagrammatic geometry, Tibetan iconography, and the work of artists including Raja Ravi Varma, Neo Rauch, Peter Saul, Shahzia Sikander, and Tenzing Rigdol. These references inform a visual language where devotion, gender, and resistance form intertwined symbolic architectures.


Awards & Recognition

A growing body of recognition across national and international platforms:

  • Top 16 — UNESCO International Youth Picture Book Festival (2019)
  • Finalist — Doodle4Google International (2019)
  • Winner — Khula Aasman National Art Competition (2020)
  • Multiple early awards across national juried school competitions

Practice & exhibitions

A growing practice rooted in painting, curation, and collaborative work in galleries, monasteries, and student-led initiatives.

April 2023 – Present

SVA Galleries, New York – Gallery Assistant

Supporting curation and installation of exhibitions at the School of Visual Arts, documenting work, and maintaining the gallery’s online presence.

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June – August 2024

UG Gallery, Tokyo – Internship

Assisted with organising exhibitions, arranging displays, and cataloguing artworks and curatorial material at a contemporary gallery in Tokyo.

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June 2025

Tangka Art / Tharpa Choling Monastery, Kalimpong

Studied under Master Phinso, deepening engagement with Tibetan visual traditions, ritual, and painting techniques within a monastic context.

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“Her paintings feel like living myths – intimate, precise, and quietly radical in how they hold women’s interior worlds.”

— Viewer comment, studio visit

Art Katha – Stories for Change

In 2021 I founded Art Katha, a student-led visual arts initiative that offers free art education to students from economically underserved backgrounds, alongside visual campaigns on social and environmental issues.

I continue to mentor the programme remotely while studying in New York, teaching drawing, colour theory, and visual storytelling.

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Latest artwork

A selection from recent bodies of work – exploring empire, eroticism, faith, and everyday gestures in layered figurative paintings.

The Grip of her Dharma (2025)
Painting · 2025

The Grip of her Dharma

Available on request
Version 3.1 Dominant (2025)
Painting · 2025

Version 3.1 Dominant

Available on request
False Divinity (2025)
Painting · 2025

False Divinity

Available on request
Inferno Sutra (2025)
Painting · 2025

Inferno Sutra

Available on request
Ardhanari Reimagined (2025)
Painting · 2025

Ardhanari Reimagined

Available on request
Viraasat (2025)
Painting · 2025

Viraasat

Available on request
Modern Darbar (2025)
Painting · 2025

Modern Darbar

Available on request
Boju (2025)
Painting · 2025

Boju

Available on request
Sacred Longing, Mortal Flesh (2025)
Painting · 2025

Sacred Longing, Mortal Flesh

Available on request
Beyond Time or Death (2024)
Painting · 2024

Beyond Time or Death

Available on request
Gai Mata (2024)
Painting · 2024

Gai Mata

Available on request
Street Scene (2024)
Painting · 2024

Street Scene

Available on request
Repetition (2024)
Painting · 2024

Repetition

Available on request
Saamrajy (2023)
Painting · 2023

Saamrajy

Available on request
His Company (2023)
Painting · 2023

His Company

Available on request
Dhulan (2023)
Painting · 2023

Dhulan

Available on request
Keeping Faith (2021)
Painting · 2021

Keeping Faith

Available on request
The Original Sin, in a New Avatar (2021)
Painting · 2021

The Original Sin, in a New Avatar

Available on request
Sweetooth (2021)
Painting · 2021

Sweetooth

Available on request
Blurring Reflections (2021)
Painting · 2021

Blurring Reflections

Available on request
Manna (2021)
Painting · 2021

Manna

Available on request
Anthropomorphic Decadence (2021)
Painting · 2021

Anthropomorphic Decadence

Available on request

Contact

For exhibitions, commissions, collaborations, or workshops, you can reach me directly here.

Studio

Based between New York and Gurugram, India.
Available for in-person and online projects.

Email: vincent.adelle@gmail.com

Instagram: @art_kathaa